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  Goods related to 'sapir':

Toward a History of American Linguistics

  Beginning with the anthropological linguistics tradition associated primarily with the names of Franz Boas, Edward Sapir and their students and concluding with the work of Noam Chomsky and William Labov at the end of the century. This book offers a comprehensive account of essential periods and areas of research in the history of American Linguistics and also addresses contemporary debates and issues within linguistics.Topics covered include: * The sources of the 'Sapir-Whorf Hypothesis' * Leonard Bloomfield and the Cours de linguistique gnrale * The 'Chomskyan Revolution' and its Historiography * The Origins of Morphophonemics in American Linguistics *William Labov and the Origins of Sociolinguistics in America.Toward a History of American Linguistics will be invaluable reading for academics and advanced students within the fields of linguistics and the history of linguistics.

Patterns for America: Modernism and the Concept of Culture

  In recent decades, historians and social theorists have given much thought to the concept of 'culture,' its origins in Western thought, and its usefulness for social analysis. In this book, Susan Hegeman focuses on the term's history in the United States in the first half of the twentieth century. She shows how, during this period, the term 'culture' changed from being a technical term associated primarily with anthropology into a term of popular usage. She shows the connections between this movement of 'culture' into the mainstream and the emergence of a distinctive 'American culture,' with its own patterns, values, and beliefs. Hegeman points to the significant similarities between the conceptions of culture produced by anthropologists Franz Boas, Edward Sapir, Ruth Benedict, and Margaret Mead, and a diversity of other intellectuals, including Randolph Bourne, Van Wyck Brooks, Waldo Frank, and Dwight Macdonald. Hegeman reveals how relativist anthropological ideas of human culture--which stressed the distance between modern centers and 'primitive' peripheries--came into alliance with the evaluating judgments of artists and critics. This anthropological conception provided a spatial awareness that helped develop the notion of a specifically American 'culture.' She also shows the connections between this new view of 'culture' and the artistic work of the period by, among others, Sherwood Anderson, Jean Toomer, Thomas Hart Benton, Nathanael West, and James Agee and depicts in a new way the richness and complexity of the modernist milieu in the United States.

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